Israeli graphic designer who specilaizes in book design and book covers. Commercial letterings from the Republic of China and a calligraphic style named Qishu from the Qing Dynasty jointly inspired the typeface. A brilliant and bold reverse-contrast typeface with an emphasis on Hanzi. A monospaced monolinear sans family by Zheng Chuyang and Li Zhiqian, covering Latin, Hanzi (Chinese), Arabic, Cyrillic and Devanagari. It was derived from cursive handwriting and Chinese calligraphy. A modern polygonal typeface for Hanzi, by Li Zhiqian. A Hanzi font by Roman Wilhelm that reflects the character of Hong Kong. Covering Latin, Vietnamese, and Hanyu Pinyin, this 6-style typeface family revives the award-winning text typeface Freundschafts-Antiqua made in 1959 by Yu Bingnan.

Freundschafts-Antiqua Neue (2017), by Roman Wilhelm.

It covers Latin, Cyrillic and Arabic, including the Persian, Urdu, Uyghur, Kazakh and Kirgiz versions. A poster typeface by Zheng Chuyang, after an idea by Luise Schenker. A pixel typeface for Latin, Arabic, Hebrew, Cyrillic and Chinese by Willie Liu. An attractive Latin / Hanzi text typeface that refers to the Ming Dynasty astronomer / mathematician / scholar Xu Guangqi (aka Paul Siu, 1562-1633). They specialize in multilingual and multiscriptual typography and type matching, in particular for Chinese, Latin, Cyrillic and Arabic.

Place-nouns are also created with mīm the pattern mafʿal is used to create maktab 'office' from the triliteral k-t-b (to write) and maṣnaʿ 'factory' from ṣ-n-ʿ (to make).TYPE DESIGN INFORMATION PAGE last updated on Specifically, mīm is used in the creation of the masdar (verbal noun) of Stem III verbs (the masdar of verbs on the pattern fāʿala is mufāʿala), of subject and object nouns for verbs of Stems II-X (using the example of Stem II, subject nouns-called fāʿil words because of their form in Stem I-are mufaʿʿil for verbs of Stems II-X, and object nouns-called mafʿūl also because of their Stem I form-take the form mufaʿʿal for verbs of Stems II-X). nouns and adjectives they are treated fundamentally the same in Arabic grammar). Mīm is used in the creation of ism words (i.e. Some examples on its uses in Modern Standard Arabic: The letter is named mīm, and is written in several ways depending on its position in the word: For the distinction between, / / and ⟨ ⟩, see IPA § Brackets and transcription delimiters.

For an introductory guide on IPA symbols, see Help:IPA. This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA). Mem is associated with The Hanged Man (Atu XII), the element of water and the path between Geburah and Hod on the Tree of Life. In Hebrew religious texts, it can stand for the name of God Makom, the Place. In the Israeli army it can also stand for mefaked, commander. In the Sefer Yetzirah, the letter Mem is King over Water, Formed Earth in the Universe, Cold in the Year, and the Belly in the Soul.Īs an abbreviation, it stands for metre. The Standard Method adds the values of Tav and Resh (400+200) to denote the value of mem sofit. In gematria, Mem represents the number 40 in both the Standard and Mispar Gadol Methods of Gematria However, (mem sofit) final mem's value is 40 in the Standard Method and 600 in the Mispar Gadol method. In Hebrew, Mem, like Kaph, Nun, Pe, and Tzadi, has a final form, used at the end of words: its shape changes from מ‎ to ם‎. Variations on written form/pronunciation Orthographic variants of final form Hebrew spelling: מֵם Hebrew pronunciation

Hebrew mem Orthographic variants of non-final form Which had been simplified by the Phoenicians and named after their word for 'water', mem ( ), ultimately coming from Proto-Semitic *may. Mem is believed to derive from the Egyptian hieroglyphic symbol for water, The Phoenician letter gave rise to the Greek mu (Μ), Etruscan, Latin M, and Cyrillic М Origins Mem (also spelled Meem, Meme, or Mim) is the thirteenth letter of the Semitic abjads, including Hebrew mēm מ, Aramaic mem 𐡌, Syriac mīm ܡ, Arabic mīm م and Phoenician mēm 𐤌.

Hebrew cursive font for word